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Archive for the ‘Events for Writers’ Category

A train! A train!

A train! A train!

Could you, would you

on a train?

Green Eggs and Ham, by Dr. Seuss

With apologies to Dr. Seuss, would you write on a train? Could you write on a train? You could if you applied for an #AmtrakResidency. Amtrak is now offering the opportunity for creative professionals to enjoy a long train ride to focus on their work.

'Amtrak, Train' photo (c) 2013, Massachusetts Office of Travel & Tourism - license: http://creativecommons.org/licenses/by-nd/2.0/

It started with an off hand comment by Alexander Chee in an interview in a PEN Ten Interview. When asked where he likes to write, Chee said “I still like a train best for this kind of thing. I wish Amtrak had residencies for writers.” Writer Jessica Gross read that and loved the idea so much she took to Twitter and asked for what she wanted.

Behold the power of social media, @Amtrak was listening and created a test residency. Gross took a 44 hour trip from New York city to Chicago and back again via the Lake Shore Limited and wrote about the experience. Once the story of her adventure went live, Twitter lit up with the hashtag #AmtrakResidency. I even added my voice to the conversation. Again, Amtrak was still listening and the Amtrak Residency Program is now live.

#AmtrakResidency was designed to allow creative professionals who are passionate about train travel and writing to work on their craft in an inspiring environment. Round-trip train travel will be provided on an Amtrak long-distance route. Each resident will be given a private sleeper car, equipped with a desk, a bed and a window to watch the American countryside roll by for inspiration. Routes will be determined based on availability.

Of course in the age of the Internet nothing is without controversy. Some have complained about the rights Amtrak asks for in the application. My take is that they are asking to use the brief application statement in their marketing materials others agree, your mileage may vary. Either way, read the fine print and if necessary consult a lawyer.

Some have complained that the government funded program shouldn’t be giving away free rides until it is self sustaining. To that I say “wake up and smell the marketing coffee”. No, not everyone can afford to pay their way across the country, but really, even if a small percentage of the interested parties, decide to pony up the bucks for a train ride (even a few hours long), that equals increased ridership. Increased ridership means higher revenues. Higher revenues mean closer to solvency. Will creative types taking to the rails solve all of Amtrak’s money woes? Hell no, but every little bit helps. Right?

One of the articles reported that more than 7,000 applications have been received. According to that author’s calculations, the chances of landing one of these prized Amtrak Residencies is less than the chances of being admitted to Harvard. Still, the buzz got me thinking. Even 2-5 days would be a struggle for me but, I could take a day and ride the rails.

I love riding the train. I don’t think there is any more convenient way to get from Boston to New York City and points South. Last year, I took the train from Boston to Philadelphia and I was thrilled with my level of productivity I wrote, both on my iPad and in longhand. I even read a book from start to finish. Trains in the Northeast, are cool, but the stops are frequent so the speeds are lowered. I can only imagine what it would be like to be on a long distance train ride.

I’ve read about other writer’s residency programs and they sound like a dream come true, but I am not at a point in my life where I can just disappear into my writing for weeks at a time. Two to five days? It would be a stretch, but I’d probably be able to figure out a way to make it work.

The Downeaster looks like it has a decent run from Boston, MA to Brunswick, ME. I was thinking of taking a day and departing from Boston and riding up to Freeport. Maybe in November during NaNoWriMo? Combine it with a lunch and little Christmas shopping at L.L. Bean then hop on the train to get back to work? The scenery would be different but my guess is the line would be less crowded. That means more seats in the quiet car.

Who’s with me? Can you write on a train? Have you? Are you going to apply for an #AmtrakResidency?

Lee Laughlin is a writer, wife, and mom, frequently all of those things at once. She blogs at Livefearlesslee.com. She is currently a member of the Concord Monitor Board of Contributors.  Her words have also appeared in a broad range of publications from community newspapers to the Boston Globe. She is a member of the New Hampshire Chapter of Romance Writers of America and is currently at work on her first novel.

There is still room in the Deb Dixon “Book-In-A-Day Workshop”being held May 10th in Nashua, NH Sign up today!

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Debra Dixon is coming! Debra Dixon is coming!

Debra Dixon is a popular writer, speaker and publisher and she’s bringing her “Book-In-A Day” Workshop to Nashua, New Hampshire on May 10, 2014. Dixon’s Goal, Motivation and Conflict is required reading for anyone who is hoping to have their book published.

Debra Dixon Book-In-A Day May 10, 2014

I read Goal, Motivation and Conflict at the recommendation of several fellow writers. I started with a borrowed copy but the book was packed with such great information I had to restrain myself from using a highlighter. I knew I had to purchase my own copy. I wrote a review for L2W W2L.

The Book-In-A Day Workshop uses the 12 step Hero’s Journey to help you plan the character driven plots that make readers and publisher’s stand up at take notice. You’ll leave the workshop with an outline that will advance your book idea from concept to finished plan. You will:

  • 

Understand Hero and Villain motivation in crafting a tension-filled story.
  • Understand the difference between internal and external motivation, and why it is important to goal-setting and plot.
  • Understand the difference between hero long- and short-term goal setting.
  • Chart your Hero’s emotional journey in counterpoint to his physical journey.
  • Put the Hero’s goals in direct emotional conflict with the villain and the Emotional Obstacle.
  • Let your book unfold in stages, maintaining tension and increasing suspense, until the very end.

The workshop is sponsored by the New Hampshire Chapter of Romance Writer’s of America, but is open to writer’s of all genre’s. It will be held at the Radisson in Nashua from 9am to 4pm. The cost is $80 and includes a lunch buffet.

Stay overnight at the Radisson Friday night, and meet fellow authors that evening from 8-11 pm in the lounge. For more information and to sign up, please visit http://www.nhrwa.com/events.html
 I hope to see you there!

Will you be attending? What books have you read on writing have drastically altered how you write?

Lee Laughlin is a writer, wife, and mom, frequently all of those things at once. She blogs at Livefearlesslee.com. She is currently a member of the Concord Monitor Board of Contributors.  Her words have also appeared in a broad range of publications from community newspapers to the Boston Globe. She is a member of the New Hampshire Chapter of Romance Writers of America and is currently at work on her first novel.

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ODYSSEY WRITING WORKSHOPS CHARITABLE TRUSTANNOUNCES WINTER 2014 ONLINE CLASSES

Odyssey, a 501(c)(3) nonprofit with the mission of helping writers improve their work, is offering three exciting, new online courses this winter. 

All Odyssey Online courses involve live online class meetings, so students can ask questions and participate in the class.  Each course is designed to provide intensive focus on a particular aspect of fiction writing and challenging homework assignments to help students improve their skills.  Feedback from the instructor and from classmates allows students to make strong improvements.  Each student also has an individual meeting with the instructor.  Courses provide a supportive yet challenging, energizing atmosphere, with class size limited to fourteen students.  While courses are designed for adult writers of fantasy, science fiction, and horror, interested writers of all genres are welcome to apply. 

Last winter, a total of 42 hard-working writers from the US, Canada, India, New Zealand, Australia, and Japan, participated in Odyssey’s three online courses.  One student, a lawyer and published writer from Indiana, commented, “Although I have taken online classes and workshops before, I have not worked so hard on class assignments since I was in college.”  Odyssey instructors pack as much useful content into each course as possible, and with our live class sessions, instructors can reach across the miles to students, fostering energetic discussions and making strong connections. 

Odyssey’s winter 2014 courses focus on key issues for writers – dialogue, emotions, and the short story: 

Powerful Dialogue in Fantastic Fiction

Course Meets:  January 2 – 30, 2014
Instructor:  Jeanne Cavelos
Application Deadline:  December 7, 2013

Graduates of Jeanne Cavelos’s previous Odyssey Online courses have been clamoring for her to offer a new subject, and they’ve also been requesting a course on dialogue, so Odyssey is excited to offer Powerful Dialogue in Fantastic Fiction.  Dialogue is one of the major components of most works of fiction, yet few writers give it much thought beyond trying to make it sound realistic and trying to make each character have a distinct manner of speaking.  But a writer needs to do much more than that to create powerful dialogue.

Powerful dialogue can leave readers hanging on every word. It can delight and surprise readers. It can resonate long after the book is closed. It can drive the story forward, reveal character, show the nuances in relationships, develop internal or external conflict, provide a powerful contrast with action, convey subtext, alter pace, build atmosphere, carry cultural or educational differences, increase tension, and reveal setting and other information.  This course will help students to write layered, powerful dialogue that accomplishes multiple goals and resonates with readers long after they finish the story.

The Heart of the Matter:  Bringing Emotional Resonance to Your Storytelling

Course Meets:  January 6 – February 3, 2014
Instructor:  Barbara Ashford
Application Deadline:  December 10, 2013

Barbara Ashford’s online class last year was one of the most popular we’ve ever had; every student who filled out an evaluation rated it “excellent”! So we asked Barbara to teach again this year. Her new course deals with one of the issues writers struggle with most: evoking strong emotions in the reader.  This course will offer breakthrough insights to students.

Award-winning novelist Barbara Ashford believes in storytelling that takes readers on a journey that satisfies their hearts as well as their minds.  Readers love stories that force characters to confront their darkest fears, expose their shameful secrets, survive their most wrenching confrontations. But just having your character cry or laugh or scream will never get readers to share the emotions behind those actions.  It requires careful crafting–from conception to execution–to achieve that.  This course will take you from “setting the stage”–exploring and understanding the emotions inherent in a story idea–to “getting it on the page” by showing complex emotions through your writing.

The Secrets of a Satisfying Short Story

Course Meets:  January 23 – February 20, 2014
Instructor:  Nancy Holder
Application Deadline:  December 27, 2013

At last summer’s Odyssey Writing Workshop, Nancy Holder spent a week with students as writer-in-residence. Students were so thrilled with that week–with the one-on-one work Nancy did with them, the critiques she provided, and the insights they received–that we asked Nancy to teach an online class. She’s adapting and radically expanding one of her Odyssey lectures to create The Secrets of a Satisfying Short Story.

The short story is a very demanding form, and it provides no margin for error. Many writers don’t understand the bedrock principles that make for a successful short story.  They write without a clear sense of what they want to achieve, and without sufficiently developing the key ingredients that will help them achieve it.  This course will start by discussing Edgar Allan Poe’s criteria for a short story, which offer powerful, clarifying principles.  We’ll then explore the key concepts of idea, premise, and plot, and how to make sure you aren’t writing from an idea but have made the journey from idea to premise to plot.  We’ll study how the beginning of the story leads to the surprising but inevitable end.  We’ll discuss why weak endings are the most common problem among writers and how to make your ending strong. We’ll work on connecting internal and external conflicts; developing your conflicts through cause and effect; distinguishing between presenting and representing; identifying and remaining focused on your story; and revising your work.

More information about Odyssey’s online classes can be found here:  http://www.sff.net/odyssey/online.html or by emailing jcavelos@sff.net.

PLEASE NOTE:  Those application deadlines are coming up soon!  If you would like to apply for more than one course, you must apply separately for each one.

Odyssey’s Online Classes provide the tools you need to improve your writing, along with feedback on your work that reveals whether you are successfully using those tools.  If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply to our online classes.

In addition, the Odyssey site, http://www.odysseyworkshop.org, offers many resources for writers, including free podcasts, writing and publishing tips, a writing blog, a critique service, and information about the six-week in-person workshop.

Spend the winter taking your writing to the next level!

—-

I received this notice in my e-mail this week and find the courses compelling and interesting. I can’t fit any of them into my schedule, however! I’ve heard wonderful things about Odyssey courses (have never taken any myself), so wanted to share and hope someone can take advantage of one of the classes. If you do, I’d love to hear your experience with it!

Lisa J. Jackson is an independent writer and editor who enjoys working with businesses of all sizes. She loves writing about NH people, places, and activities. You can connect with her on FacebookTwitter, and LinkedIn.

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SONY DSC           Last week I had the good fortune to teach a writing workshop at The Writers’ Barn, in Shelburne, Vermont.

The barn is just that – a barn, but it’s been renovated into a light, airy space with all the modern amenities for that particular breed: writers. There are tables, chairs of several varieties, light, heat, wi-fi and coffee and tea on demand. The mission of The Writers’ Barn is to build a supportive space for writers of all ages to develop writing skills, whether for pleasure or profession, and to build communities that share and celebrate the written or spoken word. They pursue this mission two ways: through workshops and through space.

The Writers’ Barn has offered workshops in writing memoir, children’s picture books, manuscript revision, sports writing, poetry, and craft. I taught a workshop on craft, detailing techniques for writing short. Eight people attended, including the editorial staff from a national magazine, a memoirist, a free-lance magazine writer, and an eighth-grader who wants to be a professional writer. We had a lot of fun – and enjoyed the cider donuts provided to fuel us through the afternoon.

I was particularly pleased to be able to hook my laptop up to a huge, flat-screen TV, so that I could project my materials for all to see without having to inhale marker fumes on a white board or kill a lot of trees. It’s times like this that I love technology. And I’m looking forward to a return visit later this month to lead a Holiday Writing Retreat.

The Writers’ Barn is also a space available for use as a meeting venue and as a workspace. The Writers’ Barn has hosted special events, including poetry readings and literary salons. The Writers’ Barn is also available as shared workspace for writers who don’t have a room of their own. For a monthly fee, writers can use the barn to write. They are free to come and go at all hours except those blacked out for workshops or events, and they are provided with cubby space in which to store any materials they don’t want to schlepp.

I’ve heard about shared office space before, and know of several published authors who rent offices where they can treat their writing with the seriousness of a job – and have access to a water-cooler, where they can hydrate and sip office gossip. There’s one such space in Northampton Massachusetts called Click, where writers, entrepreneurs, freelancers and frazzled parents can go to get work done. Click offers professional office space, complete with comfortable work stations, wireless internet, power, conference rooms, printers, kitchenette, and the requisite free tea & OLYMPUS DIGITAL CAMERAcoffee.

I work alone, in a studio in the woods, which is absolutely great – most of the time. When it’s not, I wish I could walk down a hall and find a colleague to help me out of a slump, or tell me a joke, read me a poem, or remind me that having a bad day is no reason to quit.

Does anybody use or know of other shared office spaces? Has anybody attended a great workshop on craft lately? Does anyone know of another place like The Writers’ Barn?

I’m looking forward to your comments.

dll2013Deborah Lee Luskin is a novelist, essayist and educator who lives in southern Vermont.

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I spend a lot of time behind my keyboard, but in real life, I’m a people person. I love to socialize and meet new people. I used to be an event planner, so I intrinsically understand the value of connecting people face to face. Still, it’s been a while since I’ve been to a conference. I’ve got an itch to meet people.

I know several NHWN writers are looking forward to the New England Crime Bake November 8th & 9th. I’m looking forward to 2014 because there are two conferences coming up for romance writers, the NECRWA Conference and a New Hampshire event that hasn’t been publicly announced yet (I’ll share the details as soon as I can). I’ve also been searching for some professional development events to expand my business as well. I thought I’d share what I found. Right on the heels of Jamie’s post  Social Media and Marketing for Writers: A Crucial First Step, I present to you an incomplete list of conferences on Social Media.

Blogher Pro October 22 & 23, Redwood City, CA. From the website.

BlogHer PRO is a multi-track conference for professionally-minded bloggers looking to take their business, marketing, and technical skills to the next level. Improve your knowledge and hone your skills on everything from personal brand to personal finance to personal privacy.

Time is short, but it’s not too late to register.

The Vermont Web Marketing Summit November 14, 2013 – Burlington, VT From the website

The Vermont Web Marketing Summit is a leading digital marketing conference, held in Burlington, VT, every Fall.

The conference serves as a platform for online marketers and digital marketing experts to keep up to date with the latest trends, benchmark their current digital activities & share challenges and successes with their peers.

Started in 2010 with only 80 attendees, it drew more than 250 attendees from all over New England and beyond in 2012!

A-Ha Social Business Summit November 15, 2013 – Manchester, NH and Online. From the web site

The “A-Ha!” Social Business Summit is a full-throttle experience designed to help you discover, align, and EVOLVE your social media, marketing, and success mojo and paradigms. Join us in person at Southern New Hampshire University in Manchester, NH, or online via Digital Pass from anywhere in the world. This award-winning conference, now in its fifth year, is Friday 11/15 from 9am-4pm.

I know we have readers from all over the world, so if none of these venues work for you, take a look at Social Media Breakfast. SMB was started in Boston in 2007 and has spread around the U.S. and the world. Gatherings are typically hyperlocal and inexpensive. For more information and locations visit their web site.

How about you? What events have you attended or will you be attending in the foreseeable future? Please share in the comments.  Who knows we might just meet in person!

Lee Laughlin is a writer, wife, and mom, frequently all of those things at once. She blogs at Livefearlesslee.com. Her words have appeared in a broad range of publications from community newspapers to the Boston Globe. She is currently a freelance marketing communications writer and at work on her first romantic fiction novel. 

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I know that a few of you were interested in what exactly happened during the Buddhist Mediation Writing retreat.

IMG_20131005_150539816Friday afternoon, after we had all gotten settled in, we met as a group. The instructor told us the format of the retreat (meditation, writing workshops, writing time, *great* food) and then we went around the room and introduced ourselves.

There were poets, future novelists, those who wrote journals – the common denominator was that they all loved the art and craft of writing.

When it was my turn to introduce myself, I told everyone that I was a writer. I wrote full time for a living. I was what some of them wanted to be.

“Be careful what you wish for,” I told them. I spend my days writing what other people want me to write and as a result I don’t have time to work on the project that *I* really want to get out. If it’s not the editors requesting a story, then it’s my kids who need a ride somewhere,” I whined.

“I never have time to focus on what I want to do.”

This was when the instructor said to me to use this workshop as I felt I needed to. “If you need to go off somewhere and write, go ahead. If you’d rather skip the workshops and meditation feel free. Do what you need to do.”

“Oh no,” I glibly replied, “I’m here for the experience. I’m going to participate in everything.”

Once we had gone around the room, the instructor told us that after dinner we were going to enter into something called “Noble Silence” for the rest of the weekend. That meant no talking.

At all.

Wait. What??????!!!! No one had told me about that part.

As anyone who knows me is aware, that’s one tall order.

But a funny thing happened when we stopped talking (for the record, I didn’t consider Facebook updates “talking”) when I stopped hearing other people’s voices, I started hearing my own.

I sat down at the end of a long dining table and I wrote.

I went to some mediation sessions (I made it to one a day) but I didn’t go to all four. I didn’t even go to the workshops, instead I wrote and wrote and wrote.  Seriously if my butt wasn’t in that chair for writing, then it was in the SUV where  I was sleeping.

People walked through the room, I wrote. Bells rang, calling for meditation, I wrote. The story, my story, that had been hovering on the edges of my mind, *finally* had the freedom to come out. I heard the voices in my head telling me how it was and because of the silence, I was able to feel some of the pain that I had been so careful to stuff into a jar so that it wouldn’t overwhelm me.

My initial wise-guy response to the “Noble silence” was “what’s so noble about silence?”

I had it wrong, by Sunday I realized my query should have been “what is there that’s not noble about silence?”

Between Friday night and Sunday afternoon, I ended up writing 35,000 words. Combined with what I went up with, I now have a 300 page first draft manuscript.

Was it worth it? You betcha’.

Would I do it again? Yes, in a heartbeat.

My only regret (besides being woken up by the 3 resident roosters at 5:30 a.m.) was that it took a writer’s workshop for me to give myself the permission to write what I wanted to write.

As a writer, I should have embraced that permission all along.

***

Wendy Thomas is an award winning journalist, columnist, and blogger who believes that taking challenges in life will always lead to goodness. She is the mother of 6 funny and creative kids and it is her goal to teach them through stories and lessons.

Wendy’s current project involves writing about her family’s experiences with chickens (yes, chickens). (www.simplethrift.wordpress.com) She writes about her chickens for GRIT, Backyard Poultry, Chicken Community, and Mother Earth News.

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There’s an event coming up in a couple of weeks that is mixing two of my passions — (dark and mysterious) fiction and New Hampshire.

Dick Hatin

Dick Hatin

An author friend of mine, Richard Hatin is celebrating the launch of his second novel by speaking and doing a book signing.

Dick is a fellow Granite State Ambassador (GSA) who volunteers his time to share his passion of NH with visitors to our wonderful state.

At this event, on October 30, from 6:30-8PM, Dick will be talking about his writing and his volunteerism.

About his novels:

EVIL AGREEMENT
Evil Agreement begins in Sutton, Vermont, in 1843, when a coven was formed comprising devil worshipers recruited by Satan s servant, the purely evil Moloch. When one coven member breaks rank, she and her family are slaughtered by coven members out of revenge. One infant child survives the massacre, however, and is hunted relentlessly by the coven, but without success. Now the descendants of that first coven are closing in on Aaron Bailey, the last descendant of that surviving infant. The Evil Agreement, the Malum Pactum, may at last be fulfilled!

The hunt is on as the coven seeks to capture Aaron to complete the coven and fulfill their ancestors hideous bargain with the devil. Meanwhile, Aaron must learn about his hidden past, forge new alliances, and, with aid from an unlikely source, perhaps have a chance to destroy the coven – and even live to tell about it!

DEADLY WHISPERS
“A dark and evil legend was born in the northeastern corner of Vermont hundred of years ago. An unspeakable act was perpetrated by a hunting party of Indians.  Later, their Chief and the tribe’s Medicine Man placed an eternal curse upon them for their crime.  Now doomed, to live only in the darkness beneath the earth, their anger and hatred of all humans, grows with each passing year. Then, in 1962, a group of young boys exploring a small cave, come face to face with this devolved and hideously evil creature, and a battle for their very lives begins.  Together, they may stand a chance, but divided, they will all surely all die.  If only…….”

The event is open to the public and is at Carlyle Place – Courville Communities, 40 Route 101, Bedford, NH.

I’ll be there, as will other local writers. It can be a great time to connect in person.

Agenda for the evening:

6:30 pm – Networking and Welcome

7:00 pm – Presentation

7:45 pm – 8:00 pm – Book signing | Personal Visits | Facility Tour

I know there will be treats, too! Since it’s Halloween, well, who knows how many ghosts might make a brief appearance, but I’m sure they will all be friendly spirits…right?

Lisa J. Jackson is an independent writer and editor who enjoys working with businesses of all sizes. She loves writing about NH people, places, and activities. She writes fiction as Lisa Haselton, has an award-winning blog for book reviews and author interviews, and is on the staff of The Writer’s Chatroom where she gets to network with writing professionals on a weekly basis. You can connect with her on FacebookTwitter, and LinkedIn.

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