Money: Taboo Topic or Merely Impolite Conversation
I didn’t notice it right away, but a recent conversation with friends brought its hulking, gray-green presence to my attention: the beast known as Money.
Money and art do not typically make good bedfellows. For the vast majority of creative types, there is a fairly substantial (some might even say, “monumental”) gap between The Work and Worldly Compensation. Hence the stereotype of the “starving artist.” The world, it seems, does not appreciate art as much as it appreciates, say, hedge fund investments or large manufacturing operations.
And yet … there are artists (and writers) who have clearly found a way to make a (very nice) living with their craft.
One of the friends with whom I was discussing the whole money issue shared a bit of link bait that was actually quite interesting: 21 Ways Rich People Think Differently. The article is a compilation of excerpts the book How Rich People Think by Steve Siebold. Scanning through the list of observations, I was appropriately horrified to discover that I hold certain unfounded prejudices against money and the wealthy. For instance, the first two sub-heads from the post are:
- Average people believe money is the root of all evil. Rich people believe poverty is the root of all evil. – “”The average person has been brainwashed to believe rich people are lucky or dishonest.”
- Average people think selfishness is a vice. Rich people think selfishness is a virtue. – “If you’re not taking care of you, you’re not in a position to help anyone else. You can’t give what you don’t have.”
My not-so-original point is this: If you’re holding a secret grudge against money, maybe you’ve got the wrong mindset for making money. There’s a bit of a guilt factor (something we talked about last week in the context of the writer’s fear of self-indulgence) in play, but there’s also a kind of reverse snobbery that can sabotage your earning ability without you even realizing it. Think about it. If you believe, deep down, that money is the root of all evil and rich people are, therefore – by association – also evil, how on earth could you possibly develop a positive mindset about money?
I am by NO means a money whisperer, guru, or expert. Like most people, I’ve got plenty of baggage when it comes to money. I do, however, make my living with words; and I’m working my way towards making my living with artistic words. I still have plenty of emotional and logistical hurdles to clear, but I’m pretty sure that just acknowledging my knee-jerk prejudice against money is a good first step. And I also think that talking more about money – more frequently, more openly, more truthfully – is also a step in the right direction. You up for that?
What I’m Writing:
So this past Tuesday I finally made it to the Fiction I Grub Street class that I had to miss last week due to my daughter being home sick. Though Grub Street is based in Boston, this particular course (taught by the lovely and very helpful KL Pereira) is being held in the writing center’s “satellite” location at The Salem Athenaeum. And what a satellite it is. The place absolutely reeks of literature. (Next time I will take pictures to share.)
Although I haven’t begun the actual writing yet, I learned on Tuesday that I will be submitting two pieces (complete or partial, up to 25 pages each) to be workshopped by the class. Although this discovery made me wince a little (mostly on the inside), I know that this fabricated deadline combined with forced participation is just what I need to motivate me. There’s nothing like the risk of embarrassment to inspire me to spring into action.
Complicating matters slightly is the fact that our submissions are meant to be short stories, a genre I’m not all that familiar with. As a matter of fact, until this class, I could likely count the number of short story collections I’ve read using only my ten fingers. But, I’m learning – through reading and follow-up class discussions – just what makes a strong short story, and I’m ready to start experimenting with my own.
My biggest challenge at the moment is trying to choose which story to work on. I have a couple story ideas from years ago, and a few more from recent musings. I’m just not sure which one to pick. I’ll be mulling that over this weekend.
Meantime, while KL is full of all kinds of great information, explanations, and examples, I think I’ll save the bulk of those for other posts. I would, however, like to share a great resource she mentioned: The Fiction Writer’s Character Chart by Rebecca Sinclair (via Eclectics.com). This is similar to (but a bit more categorized than) the 90 Things to Know About Your Characters Before You Start Writing post I shared from Kathy Temean last week. In either case, I challenge you to complete either (or both!) of these questionnaires for your main character and see if you don’t get tripped up. My lesson of the week: I need to know a LOT more about my characters before I really KNOW them.
What I’m Reading:
This week’s short story reading assignment from class was “A Good Man Is Hard to Find” by Flannery O’Connor. While I realize it’s a classic piece of American literature, if I’m being honest, I didn’t enjoy it. I hear O’Connor is an acquired taste, but I don’t expect to be clamoring for more of her stories any time soon. Or ever. The whole experience made me feel like I was back in some college lit course.
Still – I can see the value in reading and studying well-written stories, even ones you don’t particularly like. Class discussion about last week’s read (“Moving On” by Diane Cook) included analysis of character, conflict, and context – the basic building blocks of any story, short or long. I was particularly intrigued by “context,” which is an element I have not read about as much as I’ve read about character and conflict. (More on that later.)
In addition to my “homework” reading, I’m also enjoying (though slightly baffled by) a collection of short stories by Lucy Wood. The tales in Diving Belles are eclectic to say the least. Loosely based on Cornish folklore, Wood has played with the traditional characters, themes, and elements of these ancient stories to create new, sometimes twisted, always interesting versions.
As someone interested in magical realism, this collection appeals to my desire to blend the fantastic with the everyday. I’m only a few stories in, but I can already sense that this will be a book I will return to for inspiration.
And let’s not forget the blogs. Here are a few of my favorite writerly posts from this week:
- Kurt Vonnegut’s Advice For High Schoolers Is Advice For Us All by Emily Thomas
- 275,000 Amazon Book Sales – After 14 Publishers Tell Her “It Won’t Sell.” via @JonathanGunson
- The Creative Writer’s Toolkit: 6 Tools You Can’t Write Without by @mgherron
- We Are All So Weird by @sarahrcallender via @writerunboxed
- Common Mistakes Freelancers Make with their Business by @pjrvs
Finally, a quote for the week:
Here’s to developing a healthy mindset about wealth, writing even when you’re scared, trying new things, and getting the money.
Jamie Lee Wallace is a writer who also happens to be a marketer. She helps her Suddenly Marketing clients discover their voice, connect with their audience, and find their marketing groove. She is also a mom, a prolific blogger, and a student of the equestrian arts, voice, and – occasionally – trapeze (not at the same time). Introduce yourself on facebook or twitter. She doesn’t bite … usually.