Week three of our summer series, and a topic I know very well. Editing. I just submitted book #3 of my Clock Shop Mystery series, and the editing is still raw. Before I go into more specifics about my process, let me frame what editing is/when it comes in.
For some people, a first draft is a slog through molasses going uphill in January. For others, it is an easy brain dump that gets you to the shaping part of your novel.Everyone has a different first draft experience, so have your own. But always remember two truths. First, no matter how wonderful a writer you are, editing is part of the process. Give yourself time to do it, and don’t shortchange that part of the process. Second, someone said you can’t edit a blank page, and they were correct. I am a firm believer in moving forward while writing. A reminder, I am a plotter, so my first draft has some surprises (you can’t anticipate everything the muses offer), but I have a roadmap moving forward. I have learned to trust that, and keep moving.
Editing is an art. As a writer, you can do a lot yourself. Here are some of the layers of editing I’ve discovered.
Developmental. This layer of editing is big picture, first reader editing. Does the story make sense? Are there plot holes? Are the characters consistent? Does the scene order make sense? Do things need to be shifted around? I have a trusted first reader who is a friend, knows the genre I write in, and gives me some tough love. I find this to be a vulnerable time in my process, so I have chosen this first reader carefully.
Structural. I had a tendency to make leaps of logic that make sense to me while I am writing, but I don’t always connect the dots for my readers. Or I make a change in my story (he becomes a she, he goes from married to single, her cat becomes a dog) and the change isn’t consistent throughout the novel. Maybe a subplot needs to be fleshed out, and interwoven with more elegance. This phase of the editing makes sure the frame of the story is strong.
Enriching. He said. She said. He said. They did. All great for scenes. But add some physicality to the scene. She’s making dinner. He’s folding laundry. That grounds the scene. Add descriptions. Help the reader understand your intention not by telling them, but by showing them. This layer is where the art comes in. For my most recent manuscript, I was thinking about the theme of the novel, and how each scene supported it. Then I realized that one of the subplots could be tweaked and would better serve the overall theme. It was fun adding that layer to the work.
Polishing. Final layer of editing is cleaning things up. Spell check. Reading not for content, but for words. Checking grammar. Triple checking punctuation. Doing a “find” for words that you overuse, and getting rid of them. (This blog post is a big help in finding some of those words.)
Final step? Letting it go. There comes a point where you need someone else to look over your work. You can get an editor at any one of the above stages. But you will need to know when to let your work go, either for querying to an agent or submitting it to your editor. I try to stop working on my manuscript before I screw it up. Sounds like I am being funny, but I’m not. Tweaking and adjusting becomes addictive, but at some point practically perfect becomes a hot mess. Let it go before it gets to the hot mess stage.
Spend time on editing–all phases of editing. It is where the fun of writing lives.
Dear readers, do you prefer one phase of editing over another? Where do you bring in others to help?
As Julianne Holmes, Julie writes the Clock Shop Mystery series. The second book in the series, CLOCK AND DAGGER, will be released on August 2.