All summer I’ve been doing blog posts on different aspects of writing a novel. Today let’s talk about how your novel fits into the publishing world, and your own work. Are you writing a stand alone, or is the manuscript you’re working on part of a series?
Stand-alones are just that. They are complete by themselves. The characters, the plot, the setting are all created to exist in a single novel. No prequels, no sequels. This is it.
Series novels are very typical in certain genres. Romance, science fiction, mystery for example. What series means in each of these genres depends on the genre, and also on the publisher. My Clock Shop Mystery series goes under the category of “cozy”, which (in the United States) means a softer traditional mystery. Violence and sex off the page, justice prevails, a town setting that brings comfort to readers.
Not all mystery series are cozy, however. Hank Phillippi Ryan’s Jane Ryland series is more traditional, with thriller elements. Her Charlie McNally series skews more traditional with cozy elements. Thrillers often are series, with the same character in different settings and stories.
Romance series also differ depending on the subgenre they are part of. Sometimes they are series in that the characters are all related. Or perhaps the setting is the same.
One thing to think about when working on your novel—is it part of a series? Could it be? When you’re pitching it to agents, or publishers, that question is going to come up, so be prepared to answer it. If it is, or could be, part of a series, you need to prepare a proposal for it. Lisa wrote a blog post about that a while back. Read it for more details, but here are the highlights:
- What is the premise of your series? The overarching theme, tie that binds it all together? The setting? What is the hook?
- Who are the main characters?
- Who are the other characters in the series?
- What is a synopsis for the first three books in the series? This can be brief, with much more detail on the first book.
- What are the marketing opportunities for the series? What is your platform? Who, besides the traditional targeted readers, may be interested in it?
- What is your biography? Short, with memberships of organizations, social media, etc. included.
- Your proposal will also need a sample (30 pages, 3 chapters) of the novel.
When I started on this publishing journey, I did not know about proposals. It is a very valuable exercise to work on one, even if you don’t use it to sell your novel. I would finish the first book first, since that act of completion is a huge step and not easily achieved.
Writing is part art, part craft. Getting published is a business. Series or not—a business decision.
One final thought on this–if you want to write a series, read them. Take note of the publishers, and then read other books those publishers put out. If you are planning to self publish, you still should work on a proposal, since it will help you when you are marketing the books.
As Julianne Holmes, Julie writes the Clock Shop Mystery Series for Berkley Prime Crime. The second in the series, Clock and Dagger, was released earlier this month.